The stories and characters of South Korean films weave in indigenous surroundings and experiences, which have an imprint of reality. In contrast, Bollywood has pushed various aspects of Indian life out of its films
The crisis of Bollywood is equally visible both inside and outside the country. In May this year, India participated as the ‘Country of Honour’ at the Cannes festival, one of the most prestigious film festivals in the world. Pictures of the official representatives from the country kept flooding the media. Actress Deepika Padukone’s glamorous representation of Indian cinema raised eyebrows too.
Six Indian films were also screened at the festival, but not a single Hindi film could make it to the main competition. Rubbing salt into the wounds was the fact that the films of a small country like South Korea were not only in direct competition but also made a strong presence by winning two awards, including the Best Director award for Park Chan-wook. His film Decision to Leave is a detective romance woven around the murder of a man and his wife's suspicions.
The argument that Bollywood lags behind because only realistic films get a place in film festivals is absurd. It can also be said that Hindi cinema does not need applause in any foreign festival, but when it is not getting applause from the indigenous audience and Bollywood is drowning in the tsunami of South Korean films, serials and pop music, it is bound to raise questions.
The crisis of Bollywood is equally visible both inside and outside the country. In May this year, India participated as the ‘Country of Honour’ at the Cannes festival, one of the most prestigious film festivals in the world. Pictures of the official representatives from the country kept flooding the media. Actress Deepika Padukone’s glamorous representation of Indian cinema raised eyebrows too.
Six Indian films were also screened at the festival, but not a single Hindi film could make it to the main competition. Rubbing salt into the wounds was the fact that the films of a small country like South Korea were not only in direct competition but also made a strong presence by winning two awards, including the Best Director award for Park Chan-wook. His film Decision to Leave is a detective romance woven around the murder of a man and his wife's suspicions.
The argument that Bollywood lags behind because only realistic films get a place in film festivals is absurd. It can also be said that Hindi cinema does not need applause in any foreign festival, but when it is not getting applause from the indigenous audience and Bollywood is drowning in the tsunami of South Korean films, serials and pop music, it is bound to raise questions.